A fire burns within us all.

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  1. A nonhierarchical spirit (how we treat writing) in the workshop is maintained while at the same time an appropriate discipline (how we interact as a group) keeps writers safe.
  2. Confidentiality about what is written in the workshop is maintained, and the privacy of the writer is protected. All writing is treated as fiction unless the writer requests that it be treated as autobiography. At all times writers are free to refrain from reading their work aloud.
  3. Absolutely no criticism, suggestion, or question is directed toward the writer in response to first-draft, just-written work. A thorough critique is offered only when the writer asks for it and distributes work in manuscript form. Critique is balanced; there is as much affirmation as suggestion for a change
  4. The teaching of craft is taken seriously and is conducted thorough exercises that invite experimentation and growth as well as through response to manuscripts and private conferences.
  5. The leader writes along with the participants and reads that work aloud at least once in each writing session. This practice is absolutely necessary, for only in this way is there equality of risk taking and mutuality of trust.

Five Essential Practices

  1.  Everyone has a strong, unique voice.
  2.  Everyone is born with creative genius.
  3.  Writing as an art form belongs to all people, regardless of economic class or educational level.
  4. The teaching of craft can be done without damage to a writer’s original voice or artistic self-esteem.
  5. A writer is someon

Five Essential Affirmations

From Writing Alone and With Others, by Pat Schneider